飛翟工坊有限公司
Update：2026/11/10
Industries
Main Industry
Music and Audio
Main Product/Service
Kickstarter’s support for creative work goes beyond our platform. We publish The Creative Independent (TCI) as a way to share advice and illuminate the many, many routes to living a creative life. We’ve featured wisdom from over more than 1,300 working ar
The content above was translated by Ai
Founded Year
2018
Unified Business No.
50771397
Status
Active
Number of Employees
0
Total capital
300,000 (NT$)
Location of Company
Taiwan
, Taipei City
Company names, registration status, legal representatives, founding years, paid-in capital, registered addresses, and other details are sourced from business registration records maintained by Taiwan’s Administration of Commerce, Ministry of Economic Affairs. Exit status includes Emerging Stock Board listings, M&A, and IPOs. Information on overseas expansion is self-reported by startups.
Note 1: FINDIT compiles company information from public and other sources for reference and does not serve as a point of contact for the companies listed.
Note 2: Some company profiles and product/service descriptions are translated using AI and provided for reference only. In case of discrepancies or ambiguity, the original text prevails.
Exclusive content for members
Members-only content. Please log in to access.
About the Company
Kickstarter campaigns make ideas into reality. It’s where creators share new visions for creative work with the communities that will come together to fund them.
Some of these creators, like Critical Role, TLC, and The Smithsonian Institution already had huge fanbases. But many projects have been as small-scale as a limited run of silent meditation vinyls or as up-and-coming as early versions of Issa Rae's Insecure and Phoebe Waller-Bridge’s Fleabag.
No matter what, creators always control how the work comes together—no 100-page grant applications, no donors demanding you modify your message, no last-minute edits from investors. When backers chip in funding and help spread the word, they too become part of these independent works.
Some of these creators, like Critical Role, TLC, and The Smithsonian Institution already had huge fanbases. But many projects have been as small-scale as a limited run of silent meditation vinyls or as up-and-coming as early versions of Issa Rae's Insecure and Phoebe Waller-Bridge’s Fleabag.
No matter what, creators always control how the work comes together—no 100-page grant applications, no donors demanding you modify your message, no last-minute edits from investors. When backers chip in funding and help spread the word, they too become part of these independent works.
The content above was translated by Ai
